Hibari Misora
Hibari Misora | |
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![]() Hibari Misora in the 1950s | |
Background information | |
Birth name | Kazue Katō (加藤 和枝) |
Born | Isogo-ku, Yokohama, Japan | May 29, 1937
Died | June 24, 1989 Tokyo, Japan | (aged 52)
Genres | Enka, kayōkyoku |
Occupation(s) | Singer, actress |
Years active | 1945–1989 |
Labels | Columbia Music Entertainment |
Hibari Misora (美空 ひばり, Misora Hibari, born Kazue Katō (加藤 和枝) on May 29, 1937 – June 24, 1989) was a legendary Japanese singer, actress, and cultural icon. Often referred to as the Queen of Enka (演歌の女王), she was one of the most influential figures in post-war Japanese music and film. With over 1,500 recorded songs and 80 million records sold, she left an indelible mark on Japanese popular culture.
Early Life
[edit]Hibari Misora was born as Kazue Katō on May 29, 1937, in Isogo-ku, Yokohama, Kanagawa Prefecture, Japan. She was the eldest of four siblings. Her father owned a fish shop, while her mother recognized Hibari's vocal talent from an early age and encouraged her musical aspirations.
From a young age, she was deeply interested in traditional Japanese music and kayōkyoku. Her stage debut occurred at the age of 8 when she performed at a concert hall in Yokohama. Her powerful voice and emotional delivery impressed audiences, leading her mother to push for her entry into the entertainment industry.
Music Career
[edit]Early Success and Breakthrough (1945–1950)
[edit]Hibari Misora's first major breakthrough came when she won a national singing contest at the age of 9. Shortly after, she signed with Columbia Records and released her debut song, "Kappa Boogie Woogie" in 1949. The song quickly gained popularity, setting the stage for a career that would define Japanese music for decades.
In 1950, she released "Kanashiki Kuchibue" (悲しき口笛, Sad Whistle), which became her first major hit. The song resonated with post-war audiences, and she gained nationwide recognition.
Rise to Fame (1950s–1960s)
[edit]During the 1950s, Hibari Misora dominated the Japanese music industry, earning comparisons to Édith Piaf and Frank Sinatra. Her deep, expressive voice captured the emotions of a nation recovering from World War II.
Notable songs from this period include:
- "Tokyo Kid" (東京キッド, 1950)
- "Yawara" (柔, 1964) – This song won the prestigious Japan Record Award.
- "Ringo Oiwake" (リンゴ追分, 1952)
- "Makkana Taiyō" (真赤な太陽, 1967) – A rock-inspired enka hit.
Hibari Misora became the first woman in Japan to sell over 10 million records, setting an unprecedented standard for female artists in the industry.
Later Career and Legacy (1970s–1989)
[edit]Despite facing health issues in the 1970s, Hibari Misora continued her dominance. She frequently performed at the annual Kōhaku Uta Gassen, NHK's famous year-end music festival.
Her most famous song from this era, "Kawa no Nagare no Yō ni" (川の流れのように, Like the Flow of the River), released in 1989, is considered one of the greatest enka songs of all time. It remains an anthem of resilience and hope in Japan.
Film Career
[edit]Beyond music, Hibari Misora was also a prolific actress. She appeared in over 160 films, mostly in the jidaigeki (period drama) and musical genres. Some of her most notable films include:
- "Tokyo Kid" (東京キッド, 1950)
- "Hibari no Circus Kanashiki Kobato" (ひばりのサーカス・悲しき子鳩, 1951)
- "Jinsei Gekijō" (人生劇場, 1968)
Her on-screen presence and musical performances further cemented her status as a national treasure.
Personal Life
[edit]Hibari Misora remained unmarried throughout her life. She was deeply dedicated to her career and her fans. However, she faced many challenges, including a violent attack in 1957, where she was injured by a fan.
She was also known for her philanthropic work, establishing a foundation to support children with disabilities.
Death and Posthumous Recognition
[edit]Hibari Misora passed away on June 24, 1989, at the age of 52 due to pneumonia, which was worsened by chronic hepatitis. Her funeral was attended by thousands of fans and dignitaries, signifying the deep impact she had on Japanese society.
Following her passing:
- In 1994, she was posthumously awarded the People's Honour Award by the Prime Minister of Japan.
- In 1998, a wax figure of her was installed at Madame Tussauds Tokyo.
- Kawa no Nagare no Yō ni was voted the greatest Japanese song of all time in a national survey.
Legacy
[edit]Hibari Misora's impact on Japanese music remains unparalleled. She influenced generations of artists and continues to be celebrated in tribute concerts and special television programs.
Her songs remain popular, frequently covered by contemporary artists. The Hibari Misora Museum was established in Tokyo to honor her legacy.
Discography (Selected)
[edit]- Kanashiki Kuchibue (悲しき口笛, 1950)
- Tokyo Kid (東京キッド, 1950)
- Yawara (柔, 1964)
- Makkana Taiyō (真赤な太陽, 1967)
- Kawa no Nagare no Yō ni (川の流れのように, 1989)
Awards and Honors
[edit]- Japan Record Award (1965)
- People’s Honour Award (1994, posthumous)
- Induction into the Japan Music Hall of Fame
See Also
[edit]References
[edit]External Links
[edit]- Official website
- Hibari Misora on IMDb
- Hibari Misora on DiscogsAozora ni owasu]] (青春ロマンスシート 青空に坐す – 1954)
- Bikkuri gojūsantsugi (びっくり五十三次, lit. "Surprising 53 Stations of the Tōkaidō" – 1954)
- Yaoya Oshichi furisode tsukiyo (八百屋お七 ふり袖月夜 – 1954)
- Wakaki hi wa kanashi (若き日は悲し – 1954)
- Uta goyomi Onatsu Seijūrō (歌ごよみ お夏清十郎 – 1954)
- Shichihenge tanuki goten (七変化狸御殿, lit. "Quick Change Tanuki Palace" – 1954)
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Hiyodori sōshi (1954)
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Uta goyomi Onatsu Seijūrō (1954)
- Ōedo senryōbayashi (大江戸千両囃子 – 1955)
- Musume sendōsan (娘船頭さん – 1955)
- Seishun kōro: Umi no wakōdo (青春航路 海の若人 – 1955)
- Uta matsuri mangetsu tanuki-gassen (歌まつり満月狸合戦 – 1955)
- Furisode kyōenroku (ふり袖侠艶録 – 1955)
- Takekurabe (たけくらべ, Adolescence a.k.a. Growing Up Twice a.k.a. Growing Up a.k.a. Child's Play) (1955) – a film adaptation of Higuchi Ichiyō's novel Takekurabe
- So Young, So Bright (ジャンケン娘 Janken musume – 1955)
- Furisode kotengu (ふり袖小天狗 – 1955)
- Fuefuki Wakamusha (笛吹若武者 – 1955)
- Utamatsuri Edokko Kin-san torimonochō (唄祭り 江戸っ子金さん捕物帖 – 1955)
- Rikidōzan monogatari dotō no otoko (力道山物語 怒濤の男 – 1955)
- Hatamoto taikutsu otoko: nazo no kettōjō (旗本退屈男 謎の決闘状 – 1955)
- Utae! Seishun Harikiri Musume (歌え!青春 はりきり娘 – 1955)
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Musume sendōsan (1955)
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Seishun kōro: Umi no wakōdo (1955)
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Furisode kyōenroku (1955)
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Furisode kotengu (1955)
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Fuefuki Wakamusha (1955)
- (銭形平次捕物控 死美人風呂) (1956)
- (おしどり囃子) (1956)
- (恋すがた狐御殿 Koi sugata kitsune goten) (1956)
- Peach Boy (宝島遠征 Takarajima ensei) (1956)
- Romantic Daughters (ロマンス娘, Romansu musume, 1956)
- (ふり袖太平記) (1956)
- (ふり袖捕物帖 若衆変化) (1956)
- (鬼姫競艶録) (1956)
- (銭形平次捕物控 まだら蛇 Zenigata Heiji torimono hikae: madara hebi) (1957)
- (大江戸喧嘩纏) (1957)
- (旗本退屈男 謎の紅蓮搭) (1957)
- (ふり袖捕物帖 ちりめん駕籠) (1957)
- (ロマンス誕生 Romansu tanjō) (1957)
- (おしどり喧嘩笠 Oshidori kenkagasa) (1957)
- (怪談番町皿屋敷) (1957)
- On Wings of Love (大当り三色娘, Ōatari sanshoku musume) a.k.a. Big Hit Three Color Daughters (1957)
- (青い海原) (1957)
- (ふり袖太鼓) (1957)
- (ひばりの三役 競艶雪之丞変化) (1957)
- (ひばりの三役 競艶雪之丞変化 後篇) (1957)
- (娘十八御意見無用)
- (おしどり駕籠)
- The Badger Palace a.k.a. The Princess of Badger Palace (大当り狸御殿 Ōatari tanukigoten) (1958)
- (丹下左膳)
- Edo Girl Detective (ひばり捕物帖 かんざし小判 Hibari torimonochō: Kanzashi koban) (1958)
- (恋愛自由型) (1958)
- (花笠若衆) (1958)
- (女ざむらい只今参上 Onnazamurai tadaima sanjō) (1958)
- (おこんの初恋 花嫁七変化) (1958)
- (ひばりの花形探偵合戦) (1958)
- (希望の乙女) (1958)
- (隠密七生記) (1958)
- Secret of the Golden Coin (ひばり捕物帖 自雷也小判 Hibari torimonochō: jiraiya koban) (1958)
- (娘の中の娘 Musume no Naka no Musume) (1958)
- (唄祭り かんざし纏) (1958)
- Young Blades' Obligations: Cherry Blossom in Long Sleeves (いろは若衆 ふり袖ざくら Iroha wakashū: Furisode sakura) (1959)
- The Great Avengers (忠臣蔵 桜花の巻 菊花の巻 Chūshingura: ōka no maki, kikka no maki) (1959)
- (鞍馬天狗) (1959)
- (東京べらんめえ娘 Tokyo beranmē musume) (1959)
- (孔雀城の花嫁) (1959)
- The Revenger in Red (紅だすき喧嘩状 Beni-dasuki kenkajō) (1959)
- (お染久松 そよ風日傘) (1959)
- (水戸黄門 天下の副将軍) (1959)
- (江戸っ子判官とふり袖小僧) (1959)
- (血闘水滸伝 怒濤の対決) (1959)
- Young Blades Obligations: Flower Palanquin Pass (いろは若衆 花駕籠峠 Iroha wakashū: hana kago tōge) (1959)
- (べらんめえ探偵娘 Beranmē tanteijō) (1959)
- (ひばり捕物帖 ふり袖小判) (1959)
- The Prickly-mouthed Geisha (べらんめえ芸者 Beranmē geisha) (1959)
1960s – 1980s
[edit]- (Zoku beran me-e geisha) (1960)
- Samurai Vagabond (Tonosama – Yaji kita) (1960)
- (Oja kissa) (1960)
- Sword of Destiny (Koken wa arezu: tsukage ittōryu) (1960)
- Ishimatsu: The One-Eyed Avenger (Hibari no mori no ishimatsu) (1960)
- (Hizakura kotengu) (1961)
- (Hakubajō no hanayome) (1961)
- (Beran me-e geisha makari tōru) (1961)
- (Sen-hime to Hideyori) (1962)
- Hibari Traveling Performer (Hibari no Hahakoi Guitar) (1962)
- Cosmetic Sales Competition (Minyo no Tabi Akita Obako) (1963)
- (Hibari, Chiemi, Izumi: Sannin yoreba) (1964)
- (Noren ichidai: jōkyō) (1966)
- Festival of Gion (Gion matsuri) (1968) a.k.a. Gion Festival a.k.a. Kurobe's Sun a.k.a. The Day the Sun Rose
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Songs in films
[edit]Her songs also appeared in 5 Japanese films:[1]
- Shichihenge tanuki goten (七変化狸御殿 – 1954)
- Janken musume (ジャンケン娘 – 1955)
- Tenryū bōkoigasa (天竜母恋い笠 – 1960)
- Uogashi no Onna Ishimatsu (魚河岸の女石松 – 1961)
- Hana to Ryū: Seiun-hen Aizō-hen Dotō-hen (花と龍 青雲篇 愛憎篇 怒濤篇 – 1973)
See also
[edit]References
[edit]Bibliography
[edit]- Takenaka, Rō (June 2005). Kanpon Misora Hibari. Tokyo: Chikuma Shobō. ISBN 4-480-42088-6.
External links
[edit]- 1937 births
- 1989 deaths
- 20th-century Japanese actresses
- Acid attack victims
- Nippon Columbia artists
- Enka singers
- Japanese child actresses
- Japanese child singers
- Japanese women pop singers
- Japanese film actresses
- Japanese women jazz singers
- Japanese jazz singers
- Singers from Yokohama
- People of Shōwa-era Japan
- People's Honour Award winners
- Japanese contraltos
- 20th-century Japanese women singers
- 20th-century Japanese singers
- Japanese racehorse owners and breeders